15 Legendary Wavetable Synths You NEED (Hardware & Software)

Wavetable synths are some of the most exciting and powerful tools you can have as a producer, hands down (take it from me). 

They let you design wild leads, smooth pads, and evolving, complex sounds that bring energy/personality to your tracks every single time.

On top of that, they’re perfect for adding movement and depth so your music hits harder and sounds more polished and professional.

As producers, staying ahead of the game means knowing which wavetable synths deliver the best sound and functionality…

And how they can take your production to the next level, of course.

That’s why I’m breaking down the top hardware and software options, including unique features and functions like:

• Wavetable oscillators with smooth morphing ✓
• Low-end power with sub-oscillators ✓
• Flexible modulation matrixes ✓
• High-quality filters for tonal control ✓
• Granular synthesis for evolving textures ✓
• Built-in effects like distortion and reverb ✓
• Options for importing own waveforms ✓
• Advanced phase distortion and frequency modulation ✓
• Unique unison modes for added thickness ✓
• Much more ✓

By choosing any of the wavetable synths in this guide, you’ll be able to make show-stopping sounds, experiment with unique tones, and shape your tracks.

You’ll also get my personal take on each synth’s standout features, what could be better/improved, and what you need to know to get the most out of them. 

Digital Wavetable Synths

To kick things off, let’s start with the most cutting-edge digital wavetable synths in the game. Each one has razor-sharp precision, versatility, and can help you get super creative. So, let’s get into it.

#1. Arturia Pigments 5

Arturia Pigments 5 takes wavetable synthesis to the next level in my opinion with its expanded functionality and intuitive design. 

One of its standout features is the dual-engine architecture, which lets you blend wavetable synthesis with:

• Sample-based synthesis
• Granular synthesis
• Virtual analog modes
• Harmonic engine for additive synthesis
• Utility engine with noise layers for added texture

The modulation matrix is definitely on point because you’re able to modulate nearly any parameter with LFOs, envelopes, or even user-drawn curves (which I love).

It also includes 64 modulation slots 一 giving you a crazy amount of flexibility.

What sets Pigments 5 apart are its new filters, including the MS-20-inspired Multimode Filter, which adds grit and character to any sound. 

As well as the Lowpass Gate, which introduces organic, percussive tones.

You can even manipulate wavetables further with the Formant Morphing tool or add analog-style drift to create extra movement.

The “Wavetable Oscillator Mode” also includes advanced wavetable position morphing now for legendary harmonic content. 

My favorite feature has to be the real-time spectral display…

It’s not just visually stunning but also helps tweak modulation and harmonic content with precision 一 making it one of the best wavetable synths in the game.

Plus, you can’t forget about the MPE (MIDI Polyphonic Expression) support; another game-changer for adding expression to performances.

#2. Xfer Serum

When compared to other wavetable synths, Xfer Serum has to be the most popular, and for good reason. 

It’s one of the most versatile, advanced wavetable synths around 一 setting the gold standard for modern wavetable synthesis in general.

It features two wavetable oscillators, each with access to a vast library of wavetables and the ability to import custom waveforms.

Or, if you’re like me, create your own wavetables from scratch using its built-in editor, complete with FFT-based tools for sculpting harmonic content.

The wavetable position slider is great for detailed morphing, which is probably why it’s one of the most popular among dance music genres (evolving textures all day).

Serum’s Warp Mode is another standout function, offering advanced modulation techniques such as: 

• Frequency modulation
• Phase distortion
• Ring modulation
• Asymmetrical warping

It also includes a powerful sub-oscillator with sine, square, and triangle wave options; perfect for adding depth to basslines or reinforcing leads.

The modulation matrix is visually intuitive as well, with drag-and-drop functionality for assigning up to 16 sources to any parameter. 

You can modulate everything from filters to wavetable position, adding endless flexibility to your sound design.

Its built-in effects rack features distortion, reverb, delay, and multiband compression,  flanger, and phaser.

Meaning, you can play around with advanced sound processing directly within the synth, and you can even apply these effects in a custom chain order.

Besides the real-time spectral display, my favorite feature is being able to export wavetables from audio files.

This makes it possible/easy to turn recorded material into playable waveforms. 

While Serum’s vast capabilities are no doubt impressive, the lack of granular synthesis could be a limitation for some sound designers, but it doesn’t have to be.

Bottom line, when it comes to the best wavetable synths around, Serum will always be on top, and you can learn all about its capabilities, right here.

#3. Native Instruments Massive X

Massive X pushes the boundaries of wavetable synthesis with its versatile oscillator section and customizable routing. 

It includes two primary wavetable oscillators, each with over 170 wavetable options, and features deep wavetable position controls for detailed morphing. 

These oscillators are complemented by a sub-oscillator as well.

It also introduces “Tracker” modulation, which lets you tweak parameters to change based on pitch or velocity for dynamic control.

A unique feature of Massive X is its Performer tool, which lets you create automation sequences 一 adding movement and complexity to your sounds. 

The dual filters (ranging from traditional low-pass filters to exotic comb filters) offer precise sound shaping like never before. 

Side note, the filters can be routed in series or parallel for flexible sound-shaping possibilities, and Massive X also supports phase distortion, so that’s dope too.

My personal favorite is the “Random” modulation source, which keeps sounds organic and unpredictable, perfect for creating evolving textures. 

I also love the Noise Section, which includes over 100 different noise types that can be layered with oscillators for additional texture/depth.

When it comes to the best wavetable synths, Massive X is certainly up there.

#4. Ableton Wavetable

Ableton Wavetable is somewhat new, and provides a pretty focused (yet powerful) approach to wavetable synthesis.

It features two main oscillators with over 100 different waveforms stored in its library, covering traditional shapes like sine, square, and sawtooth.

As well as more complex, spectral options for those who want to get crazy.

The wavetable position slider offers smooth transitions between harmonic states, which makes it perfect for creating lush pads or evolving textures. 

It has a  dedicated sub-oscillator too, so you can knock out deep, rumbling lows all day, ideal for genres like bass music production and synth pop.

The filters include low-pass, high-pass, and notch types with adjustable resonance for detailed tonal control. 

The unison section introduces modes like “Classic,” “Shimmer,” and “Noise” 一 each adding unique timbral layers to the sound. 

My favorite feature is the modulation section, which allows up to 8 modulations per parameter, which integrates flawlessly with its envelopes and LFOs.

It’s certainly an efficient, versatile synth, but just keep in mind that the lack of custom waveform importing might limit your complete freedom.

It’s still one of the best wavetable synths in the game though, for sure.

#5. U-he Hive 2

U-he Hive 2 blends simplicity and complexity, with two powerful wavetable oscillators that are each capable of handling: 

• Single-cycle waveforms.
• Multi-frame wavetables. 

The oscillator section supports up to 16 unison voices, with detune and pan spread options for creating thick, immersive sounds, which is great.

Its sub-oscillator enhances the low end, so it’s perfect for bass-heavy tracks. 

The phase distortion mode introduces harmonic variation for intricate sound design possibilities all day long.

Hive 2’s modulation matrix provides drag-and-drop functionality, so quick and precise routing for its filters, envelopes, and LFOs is simple as pie.

It also includes two multimode filters and three-band EQ for post-processing directly within the interface, so that’s cool too.

The new interface is sleek and streamlined, so even beginners can mess around.

One standout feature is the Shape Sequencer, which offers rhythmic modulation patterns for dynamic textures that you can get really creative with.

My favorite aspect though, and what makes it one of the best wavetable synths is its minimal CPU usage, even in projects with complex routing. 

However, the slightly limited wavetable import options could be expanded to enhance its appeal to experimental sound designers, but it’s all good.

#6. Kilohearts Phase Plant

Kilohearts Phase Plant completely redefines modular wavetable synthesis with its open-ended framework for knocking out unique sounds. 

It features unlimited oscillators, which lets you combine:

• Wavetable oscillators
• Analog-style generators
• Noise sources

Each oscillator supports wavetable position modulation for intricate harmonic evolutions over time, which is great.

Plus, its granular synthesis capabilities add another dimension to its sound design potential, which makes it my personal favorite synths in the game.

The modulation matrix is another key feature (supporting up to 32 modulators) including LFOs, envelopes, and macros, all of which can be freely assigned. 

One of its unique tools is multi-band processing, which lets you apply effects like reverb, compression, and distortion selectively across different frequency ranges. 

The phase distortion option is impressive as well, and the sub-oscillator ensures boomin’ basslines. 

What makes it one of the best wavetable synths is its effects integration, where you can build custom chains directly in the patching environment (very cool).

However, the steep learning curve might be daunting for beginners, and a larger library of ready-made presets could help new users get started more quickly.

But, all in all, it’s certainly one of the best wavetable synths around.

#7. KV331 SynthMaster v2.9

KV331 SynthMaster v2.9 is a true powerhouse of wavetable synthesis, bringing unmatched depth and flexibility to the table.

It has 2 main oscillators, and each is capable of generating sound from over 620 factory wavetables, so that’s great.

These wavetables can be morphed in any way you’d like using the wavetable position control 一 ideal for evolving pads and intricate soundscapes. 

It does have a dedicated sub-oscillator as well, naturally.

SynthMaster includes two multimode filters with 13 different types, such as ladder, comb, low-pass, etc.

Each one gives you even more precise control over the harmonic content. 

Plus, its modulation matrix is super impressive with up to 16 modulation slots with drag-and-drop routing for LFOs, envelopes, and MIDI controls. 

Additional standout features that I find solid are:

• 8 voice unison
• Advanced phase distortion controls
• Built-in arpeggiator

My absolute favorite feature is the effects section, which provides 11 high-quality effects 一 including reverb, chorus, and a multi-band compressor. 

However, the interface could use a serious makeover because it usually intimidates newcomers because it’s a little complex.

But, when it comes to modern wavetable synths, it’s definitely a winner once you figure it out and get to know it better.

#8. Current by Minimal Audio

Current by Minimal Audio is a cutting-edge wavetable synthesizer designed for modern sound design (and one of my personal favorites). 

It features two primary oscillators, each supporting wavetable position morphing, phase distortion, and frequency modulation for a wide range of tonal possibilities. 

Plus, each oscillator can be layered with noise and granular sound sources 一 adding depth and texture to the sound (yes, it has a sub-oscillator too, of course).

When it comes to its modulation matrix, it supports up to 12 simultaneous modulation sources, such as envelopes, LFOs, and step sequencers. 

Plus, its filter section includes 10 unique types (including formant and comb filters) for super intricate frequency shaping, which I personally appreciate.

Another standout feature is its unique unison modes, which provide advanced stereo imaging and pitch spreading across multiple voices. 

My favorite thing about Current has to be the granular mode, which gives you the ability to completely transform simple waveforms into mind-blowing (complex) soundscapes.

If you’re into movie or video game production, it comes in handy, believe me.

While its features are excellent and its one of the best wavetable synths around, Current could benefit from additional factory wavetables, but that’s okay.

#9. Spectrasonics Omnisphere 2.8

When it comes to the best wavetable synths around, Omnisphere 2.8 is up there, of course, as I’m sure you already know.

As a titan in the world of wavetable synthesis, it includes an unparalleled library of over 14,000 sounds and 500 wavetables (mind-blowing, right?).

Its unique architecture supports up to four layers per patch, with each layer capable of combining: 

• Wavetable oscillators
• Virtual analog synthesis
• Sample-based synthesis

The wavetable position control lets you create epic textures, while its sub-oscillator adds power and depth to lower frequencies.

The Orb interface, a real-time modulation tool, lets you control multiple parameters simultaneously by interacting with a graphical sphere, which I love.

It also supports importing your own waveforms 一 making it an excellent choice for sound designers seeking ultimate flexibility. 

Plus, Omnisphere’s modulation matrix is extensive, with up to 48 routing slots for envelopes, LFOs, and step sequencers, so you can imagine the possibilities.

My favorite feature is its granular synthesis engine, which can easily transform samples into dynamic, otherworldly textures. 

While its sheer size and complexity might be daunting for newcomers, Omnisphere’s versatility makes it a must-have for any professional producer.

Hardware Wavetable Synths

When it comes to hardware wavetable synths, the tactile experience and unique character they provide is legendary. So, for this next section, let’s explore some of the most innovative hardware options available today. Each offers distinct/unique features and exceptional wavetable synthesis capabilities. And yes, I’ve personally used every single one of these hardware wavetable synths, so you’re getting insider info.

#10. Waldorf Iridium

The Waldorf Iridium is an OG hardware wavetable synthesizer that combines the flexibility of its digital counterpart, the Quantum, with the portability of a desktop unit. 

It features three oscillators, each capable of: 

• Wavetable synthesis
• Granular synthesis
• Sample playback

The wavetable oscillators allow for endless morphing across 16-bit 256-frame wavetables, with adjustable wavetable position and phase distortion.

Iridium includes two multimode filters per voice, supporting modes such as low-pass, high-pass, and comb. 

Its modulation matrix offers up to 40 slots, so when it comes to modulation options, there’s an endless amount across its extensive parameters.

One standout feature is its 5-inch touchscreen, which provides hands-on control for waveform editing 一 making sound design incredibly intuitive. 

My favorite function is the ability to use unique unison modes with up to 8 voices per oscillator, which is perfect for creating lush, thick sounds. 

The only downside when compared to other synths is its complexity may require a learning curve for beginners, but that’s alright.

#11. ASM Hydrasynth

Hydrasynth, which I personally own, is loved for its innovative approach to wavetable synthesis (it’s not even technically a wavetable synth, but it can function as one).

It offers a unique combination of new features and unparalleled user control, including three oscillators, which are each capable of hosting 219 wavetables.

The waveforms range from classic analog shapes to exotic spectral forms and everything in between so you have total creative freedom.

Each oscillator (OSC) supports wavetable position morphing for smooth transitions between harmonic states. 

The sub-oscillator adds weighty low-end tones, essential for bass music production and acoustic instruments.

Hydrasynth’s standout feature in my opinion is its PolyTouch keybed, which offers full polyphonic aftertouch.

This means that each key controls multiple parameters at the same time for extreme, expressive playability all day.

Its modulation matrix includes 32 routable slots, with access to 5 envelopes and 5 LFOs. 

The dual multimode filters can operate in series or parallel 一 adding flexibility to tonal shaping which I appreciate big time.

My ultimate favorite feature, though, is its mutator section, which adds harmonic complexity with tools like phase distortion, FM synth, and pulse-width modulation. 

The extensive options alone make it one of the best wavetable synths in the world, and I guarantee it’s worth the money.

#12. Korg Modwave MkII

The Korg Modwave MkII takes wavetable synthesis to the next level with its two primary oscillators and a vast library of 200 wavetables (each containing up to 64 waveforms). 

The wavetable position slider allows for smooth morphing between waveforms, while the sub-oscillator provides additional low-end power, as you now know.

The Modwave also introduces a unique motion sequencing engine, which allows you to program intricate, evolving sequences for dynamic patches. 

A super cool feature of the Modwave MkII is its Kaoss Physics integration, which enables real-time control of parameters by manipulating an X/Y pad. 

Its MOD matrix supports 30 slots and the dual filters include analog-modeled and experimental types for precise tonal sculpting. 

My favorite function is the real-time wavetable editor, which lets you go crazy when it comes to deep customization of the waveforms stored in its library. 

The only area for improvement would be the interface, which I think could benefit from a larger display for more detailed editing, but that’s just me.

#13. Novation Peak

The Novation Peak is a hybrid synthesizer that blends wavetable synthesis with analog warmth, so regardless of genre/style, it has something for you, for sure.

It has three New Oxford oscillators per voice, each capable of operating in wavetable, virtual analog, and FM synthesis modes. 

The 17 wavetables provide a range of harmonic textures, while the wavetable position control can help you create sounds that are evolving and epic. 

Plus, a sub-oscillator per voice adds great low-end tones for deeper bass patches. 

The Peak’s standout feature is its analog multimode filters (one per voice), which add a warm and natural character to its digital oscillators that I freakin’ love.

And trust me, your listeners will certainly find it intriguing as well.

The modulation matrix offers up to 16 slots, with multiple envelopes and LFOs for detailed control over parameters. 

When it comes to onboard effects, you got all the basics like reverb, delay, and chorus, all of which are processed at high resolution for pristine sound quality. 

My favorite feature is its unique distortion section, which offers multiple types of drive to add grit and character that will help you blow the competition away.

One area for improvement could be the inclusion of a larger wavetable library for more sonic variety, but it’s certainly one of the best wavetable synths around nonetheless.

#14. Modal Electronics Argon8

The Modal Electronics Argon8 is a digital wavetable synthesizer designed for expressive playability and killer sound design. 

It features two wavetable oscillators with access to 120 wavetables, each containing 32 different waveforms, which can be morphed using the wavetable position parameter. 

The oscillators also support phase distortion for additional tonal variety and harmonics.

What I really love about Argon8 is its MPE (MIDI Polyphonic Expression) compatibility, so you can bang out super expressive performances with supported controllers. 

The modulation matrix includes 12 slots, and you can use four LFOs and three envelopes to lay down dynamic patches that fit your unique style.

Its filters are digitally modeled and include low-pass, band-pass, and high-pass modes with resonance control. 

My favorite function would have to be its unique unison modes, which can stack up to 8 voices per oscillator 一 creating thick, textured sounds on the fly.

While the Argon8 offers incredible value, its smaller screen could make deep editing slightly difficult for some users, but it’s still one of the best wavetable synths around.

#15. Arturia MicroFreak

And last but not least we have MicroFreak by Arturia, which is a compact, hybrid wavetable synthesizer that combines digital oscillators with an analog filter.

It’s super unique for sure and features unique, especially when it comes to experimental sound design and enhancing your skills. 

It features a single wavetable oscillator that’s capable of accessing 192 preset waveforms stored in its internal library.

Along with a wavetable position slider for morphing between frames. 

One of the standout features of the MicroFreak is its polyphonic aftertouch keyboard, which allows for expressive performance without traditional moving parts (epic).

The MOD matrix offers 5 routable slots, with three assignable LFOs and envelopes for dynamic sound shaping, so all bases are covered.

Another unique feature is the “Paraphonic” mode (meaning you have up to 4 voices to play at the same time, with independent envelopes).

My hands-down favorite is the inclusion of multiple oscillator types 一 including granular synthesis, phase distortion, and virtual analog for limitless creativity. 

While the MicroFreak excels in innovation, its small size and simplified interface may not suit producers needing extensive parameter control, so keep that in mind.

Final Thoughts

And there you have it, the absolute best wavetable synths in the game (both digital and analog wavetable synths). 

They all offer unparalleled versatility and depth so you can design unique sounds and textures all day long without any restrictions.

Plus, they have the ability to transform your tracks 一 adding movement, complexity, and epic sound design techniques into your everyday workflow.

Now you just have to decide which one is right for you, because all of these wavetable synths are super solid.

As a special bonus, you’ve got to check out these Free Serum Presets, which include the most clean, polished, and professional Serum presets for every genre you can think of. 

It comes with a diverse range of presets, including 2 808s, 2 basses, 2 guitars, 2 keys, 2 leads, 2 pads, 2 plucks, and 2 miscellaneous sounds. 

Each preset was created by professionals, to match professional standards so your beats will sound show-stopping.

If you want more plays, these will certainly help with that.

Plus, with fully loaded macros and flexible parameters, you can easily tweak and customize each sound to make it your own.

Just remember, choosing the right tools and sounds is key to becoming the absolute best music producers you can be.

With these wavetable synths and high-quality presets, you can elevate your tracks and bring your creative visions to life (and have fun doing it).

Until next time…